Onderscheidend ontwerp is gebaseerd op een sterk concept.
Z33 Huis voor Actuele Kunst, Design & Architectuur
, cultural identity
TextielMuseum, The Art Of Lace
, cultural identity
Waterbedrijf Groningen
, branding
KNHG
, cultural identity
Internationale Architectuur Biënnale Rotterdam (IABR)
, digital design
Maallust
, corporate identity
Stadmakerscongres
, branding
Instituut voor de Nederlandse Taal
, corporate identity
BNO
, print design
Paper Is Not Dead
, typography
Claus Wiersma
, branding
Museum Kranenburgh
, cultural identity
TENT 2016
, branding
WISH
, book
100% Hedendaags
, print design
Studio New West
, branding
Wildlife Film Festival
, signage
Nipke
, packaging
Holland Dance Festival
, campaign
Celebrating Kylian
, event identity
Veld & Vaas
, packaging
Loer architecten
, logo
EYE5
, brochure
Kunsteducatie Studio C
, installation
Goud water
, print design
The Young
, identity
Design Cares
, print design
WarmteStad
, corporate identity
De Rijksakademie Pioneers
, print design
TENT 2014
, cultural identity
BouwJong!
, logo
Hedy d’Ancona Prijs
, print design
Noorderlink
, corporate identity
The CoFoundry
, book
Groot Onderhoud
, print design
Magazine Reil Review
, magazine
Optiek Demeester
, identity
Building the Future of Health
, event identity
Platform31
, corporate identity| title | year | type | industry |
|---|---|---|---|
| Let’s Get Physical | 2020 | campaign | Kunst |
| Z33 Huis voor Actuele Kunst, Design & Architectuur | 2020 | Cultural identity | Kunst |
| TextielMuseum, The Art Of Lace | 2020 | Cultural identity | Mode |
| Waterbedrijf Groningen | 2019 | Branding | Semi-overheid |
| KNHG | 2018 | Cultural identity | Semi-overheid |
| Internationale Architectuur Biënnale Rotterdam (IABR) | 2018 | Digital design | Architectuur |
| Maallust | Ongoing | Corporate identity | Branding |
| Stadmakerscongres | 2019 | Branding | Semi-overheid |
| Instituut voor de Nederlandse Taal | 2017 | Corporate identity | Instituut |
| BNO | 2019 | Print design | Creatieve industrie |
| Paper Is Not Dead | 2019 | Typography | Cultuur |
| Claus Wiersma | 2019 | Branding | Kunst, cultuur en media |
| Museum Kranenburgh | Ongoing | Cultural identity | Arts & Culture |
| TENT 2016 | 2016 | Branding | Arts & Culture |
| WISH | 2017 | Book | Architecture |
| 100% Hedendaags | 2019 | Print design | dinges |
| Studio New West | 2018 | Branding | Filmindustrie |
| Wildlife Film Festival | Ongoing | Signage | Arts & Culture |
| Nipke | 2017 | Packaging | Food & Beverage |
| Holland Dance Festival | Ongoing | campaign | Arts & Culture |
| Celebrating Kylian | 2017 | Event identity | Arts & Culture |
| Veld & Vaas | 2018 | Packaging | Retail |
| Loer architecten | 2019 | Logo | Architecture |
| EYE5 | 2017-2018 | Brochure | Fashion |
| Kunsteducatie Studio C | Ongoing | Installation | Arts & Culture |
| Goud water | 2019 | Print design | (semi)overheid |
| The Young | 2017 | Identity | Consultancy |
| Design Cares | 2017 | Print design | Arts & Culture |
| WarmteStad | Ongoing | Corporate identity | Semi-overheid |
| De Rijksakademie Pioneers | 2017 | Print design | Arts & Culture |
| TENT 2014 | 2014 | Cultural identity | Arts & Culture |
| BouwJong! | 2017 | Logo | Architecture |
| Hedy d’Ancona Prijs | 2014, 2016 | Print design | Architecture |
| Noorderlink | 2015 | Corporate identity | Kennis instituut |
| The CoFoundry | 2017 | Book | |
| Groot Onderhoud | 2011 | Print design | Architectuur |
| Magazine Reil Review | 2013 | Magazine | Innovatie |
| Optiek Demeester | 2017 | Identity | Fashion |
| Building the Future of Health | 2016 | Event identity | Festival |
| Platform31 | 2015 | Corporate identity | Instituut |